Written from the perspective of a mother of 6 with a later-life neurodivergence diagnosis, the lyrics confront the painful tendency to mask our true selves for the comfort of others. It evolves from a fragile infant's lullaby into a fierce, protective declaration for a grown man, challenging the societal pressure to become "palatable." This song is a prayer for the next generation. It's about wanting our children to bypass the years of hiding that so many of us endure, and to realise they are already entirely whole.
Biography
Autumn Sage is a Boorloo (Perth)-based singer-songwriter whose alt-chamber folk music, coupled with a poet's heart, has invoked comparisons to Jeff Buckley, Missy Higgins, Lior and Alanis Morrisette. Her poignant instrumentals and soaring melodies, paired with sincere and relatable lyrics, take the listener on an evocative emotional rollercoaster ride through themes of mental health, motherhoood and self-discovery. Autumn often performs with her trio - The Autumn Leaves - featuring evocative cello, contrapuntal vocal harmonies and percussion. Together they create a sound that is grounded in the tradition of folk storytelling but elevated by atmospheric, chamber-folk layers and sometimes pushing into alternative soundscapes.
Autumn grew up in Melbourne and started her musical journey as a classical pianist, but picked up the guitar at a young age, and it became the vehicle for many songs to come. She settled in Perth with her husband, and after a long hiatus to raise six children and navigate mental ill-health and chronic illness, Autumn returned to the industry in 2024 with a renewed, visceral perspective. Her songs tell the stories of the many life lessons learned over these years of musical incubation. Since her return, Autumn Sage has quickly gained momentum in the WA scene. Notable milestones include:
Finalist in The Songwriting Prize 2026 for song, “Notebook”, as well as "Light At The End Of The Tunnel" (2025) and unreleased track "Up Shit Creek" both being shortlisted for the 2025 WAM Song of the Year.
Compelling live sets at iconic Perth venues like Mojo’s, Lyric’s Underground (supporting Perth folk royalty, Helen Shanahan), and Sofar Sounds, headlining two shows for her single launches, as well as being part of the lineups for the RTRFM Winter Music Festival and Blossom Festival.
With a textured, cinematic sound and a narrative rooted in resilience, Autumn Sage offers more than just music; she invites listeners to find beauty in the shadows of their deepest emotions.
Music
“All I Am To You” isn't a typical heartbreak track. It’s a "break-up song" directed at a former version of the self - one that lived to reflect the expectations of others.
Marking the start of "The Notebook Sessions", this track is the first in a series of live home recordings by Perth artist Autumn Sage. As a mother of six navigating chronic illness, she is trading the "industry standard" studio path for a DIY philosophy that prioritizes sustainability and raw honesty.
“This project is about proving that 'good enough' is beautiful when it's real"
"Light At The End Of The Tunnel" is a cinematic alt-chamber folk exploration of healing and the courage to move forward. Featuring the delicate textures of acoustic guitar, cello and vocals, this song was shortlisted for 2025 WAM Song of the Year, and offers an atmospheric, honest space for reflection. A vulnerable, intimate journey from the shadows back into the light.
"Why?" is a haunting, intimate exploration of grief, regret, and the impossible search for closure. Through raw, questioning lyrics, the song navigates the painful dissonance of survival when someone you love is gone, and the struggle to reconcile the past with a silent present. A deeply vulnerable reflection on the questions that may never find an answer.
Upcoming Gigs
There are no upcoming events right now.